Heath-Return to Avalon-Two Flutes and Piano-Camden Music

£21.95

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Description

Heath-Return to Avalon-Two Flutes and Piano-Camden Music

Heath-Return to Avalon-Two Flutes and Piano-Camden Music

Contents

  • Sons of the light – Return to Avalon
  • The Human Flame
  • The Last Song

Return To Avalon is scored for two flutes, one doubling Piccolo, the other doubling Alto Flute.

In the mid-thirteenth century over 200,000 Cathars were murdered in the South of France “Avalon” by forces of darkness and ignorance. The Cathars were European Buddhists who believed in loving each other, that we are all equal in the eyes of God, non-revenge, vegetarianism, and that women could be priests. They also believed in reincarnation.

In answer to threats and bullying, many of them chose to be burnt alive rather than be forced to follow teachings they believed to be untrue.

People say that the Cathars never came back. People say that they died in vain. But I believe that they are wrong, I believe that the Cathars did come back to create a Church of light outside the constricts of religion, but through the arts, through music, poetry and prose.

“Return to Avalon” is the story of two great Cathar flute players who rise from the ashes of the Montsegur massacre, to return and baptize the world into the truth of the eternal through the beauty of sound and honesty of expression. I imagined these “Sons of the light,” playing this piece, and letting its message of friendship and brotherhood echo out over the mountains.

“Return to Avalon” begins with “The Last Song” a 13th century Cathar melody, echoed on alto flute, then explores an idea I first used in my 1993 flute concerto, the idea of orchestrated digital delay.

The second movement “Human flame” on piccolo and alto is also based on a medieval theme but takes it further and further out until finally it burns up into a huge fireball.

In the third movement “Sons of the light return to Avalon” the two flutes reappear Phoenix-like from the ashes leading and learning from each other. Eventually the flutes become inseparable as they interweave together at speed leading us to a higher truth – that we are all brothers and sisters equally loved by God.

Phenomenal flautist Samuel Coles, recently appointed principal flute of the Philharmonia Orchestra, has been a quiet but persistent supporter of my music for many years acting in a selfless and generous way behind the scenes.

Sam organized for several flute players to help with this commission: Michael Abrial, Julian Beaudiment, Richard Blake, Edward Beckett, William Bennett, Michie Bennett, Wissam Boustany, Simon Channing, Sabine Ducrot, Just Flutes, Kate Hill, Stina Wilson, Andy Findon, Gareth McLearnon, All Flutes Plus, Emmanuelle Reville, Trevor Wye, TopWind, Atarah bin Tovim, Robert Winn and Mathias Zeigler – so many thanks to all of them.

“RETURN TO AVALON” is dedicated to Sam Coles, a true friend of music and musicians.

British composer and flautist, Dave Heath was born in Manchester in 1956. He attended the Guildhall School of Music and Drama. He began playing modern jazz at the age of 17.  As a professional flautist, Heath has recorded in a wide range of styles. Disc he has featured on include a solo feature on Sting’s US-released single Mad About You and various solo recordings with guitarist Dominic Miller, Jerry Dammers’ Free Nelson Mandela, Michael Kamen, Robert Lockhart and Barrington Pheloung. Heath plays on an early Cooper flute, the `Excalibur’, rebuilt for him specially by the renowned flute maker, Albert Cooper.

Heath has written an array of music. In particular, he has composed major works for James Galway, Nigel Kennedy and percussionist Evelyn Glennie. Galway gave the first performance of the flute concerto Free the Spirit with the Philharmonia.

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