Classic Duets for Flute


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Classic Duets for Flute

Classic Duets for Flute

Compiled and arranged by Mary Karen Clardy
Publisher-Universal Edition


The internationally acclaimed American flautist and teacher Mary Karen Clardy presents a cross-section of the duet repertoire from the 17th to 19th century. Her selection for this bumper collection includes works by Telemann, Quantz, W. F. Bach, Devienne and Koehler. Background information on the composers and notes on interpretation are provided for each piece. This volume includes essential repertoire for intermediate to advanced level players.

  • Volume 1
  • Volume 2


Great classics from the flute duet repertoire of the 17th – 19th c. Popular Classic Flute Duets with highlights by Handel, Bach, Haydn, Mozart and Rossini as well as short biographies and performance tips.

  • Händel, Georg Friedrich: “Va golendo vezzeso e bello” from Xerxes
  • Händel, Georg Friedrich: “Mio bel tesoro” from Giustino
  • Blavet, Michel: Movement from Suite No.7 for Cembalo (HWV432)
  • Blavet, Michel: Gavotte from Suite No.5 (HWV430)
  • Blavet, Michel: Piece d´Händel
  • Blavet, Michel: Menuet d´Händel
  • Bach, Johann Sebastian: BWV 774
  • Bach, Johann Sebastian: BWV 775
  • Bach, Johann Sebastian: BWV 776
  • Bach, Johann Sebastian: BWV 779
  • Bach, Johann Sebastian: BWV 781
  • Bach, Johann Sebastian: BWV 783
  • Haydn, Franz Joseph: Duetto II (Andante, Minuetto, Finale)
  • Mozart, Wolfgang Amadeus: “Welche Wonne, welche Lust” from “The Abduction from the Seraglio”
  • Mozart, Wolfgang Amadeus: “Vivat Bacchus, Bacchus lebt” from “The Abduction from the Seraglio”
  • Mozart, Wolfgang Amadeus: “Giovani liete” from “The Marriage of Figaro”
  • Mozart, Wolfgang Amadeus: “Voi, che sapete” from “The Marriage of Figaro”
  • Mozart, Wolfgang Amadeus: “Ricevete, o padroncina” from “The Marriage of Figaro”
  • Mozart, Wolfgang Amadeus: “Der Vogelfänger bin ich ja” from “The Magic Flute”
  • Mozart, Wolfgang Amadeus: “Wie stark ist nicht dein Zauberhorn” from “The Magic Flute”
  • Mozart, Wolfgang Amadeus: “Alles fühlt der Liebe Freuden” from “The Magic Flute”
  • Mozart, Wolfgang Amadeus: “Ein Mädchen oder Weibchen” from “The Magic Flute”
  • Rossini, Gioacchino Antonio: Overture from “The Barber of Seville”


Classic flute duets with highlights by Telemann, Quantz, W.F. Bach, Devienne and Koehler as well as short biographies and performance tips. Winner of the National Flute Association Music Award 2006

  • Telemann, Georg Philipp: Sonata I in G Major, Op. 5
  • Telemann, Georg Philipp: Sonata III in D Major, Op. 5
  • Quantz, Johann Joachim: Duetto I in G Major, Op. 2
  • Quantz, Johann Joachim: Duetto II in A Minor, Op. 2
  • Bach, Wilhelm Friedemann: Duetto II in G Major
  • Bach, Wilhelm Friedemann: Duetto IV in F Major
  • Devienne, François: Grazioso Con Variazione
  • Köhler, Ernesto: Duet 20 in C Major (after Mozart), Op. 55
  • Köhler, Ernesto: Duet 24 in Bb major (after Bellini), Op. 55
  • Köhler, Ernesto: Duet 3 in Bb Major (after Spohr), Op. 55
  • Köhler, Ernesto: Duet 14 in G Minor, Op. 55

Mary Karen Clardy

Mary Karen Clardy, a distinguished Professor of Flute at the University of North Texas, has gained recognition as a soloist and chamber artist across the globe. Her performances have captivated audiences in the United States, Canada, Mexico, Britain, Europe, Asia, and South America, including notable appearances at the National Flute Association and the British Flute Society.

With a diverse discography, Mary Karen Clardy has released recordings such as Sonatas and Sonatinas, after Syrinx…, featuring the October Trio, and The Solo Flute Past to Present, produced by the EPR label. She has also showcased American music in a solo recital for BBC’s Radio 3 and contributed to orchestral recordings for esteemed labels such as Pro Arts, Dorian, and Klavier.

Beyond her achievements as a performer, Mary Karen Clardy is highly regarded for her teaching abilities. She frequently conducts master classes worldwide, and her students have consistently achieved success in international and national competitions and many hold prestigious positions in orchestras and academic institutions worldwide. Additionally, Mary Karen Clardy is an esteemed author, with her acclaimed publications being widely reprinted.

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