{"product_id":"hoyos-the-joy-of-breathing-for-flute","title":"Hoyos- The Joy of Breathing for Flute","description":"\u003ch2\u003eHoyos- The Joy of Breathing for Flute\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eComposer: Gaspar Hoyos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFlute score\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Tetractys Publishing\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eAbout\u003c\/h4\u003e\n\u003cp\u003eA workbook on breathing, designed to help you find freedom through efficient use of the body.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I have just discovered Gaspar Hoyos' book, \"The Joy of Breathing,\" which focuses on breathing and support, and I must say it is a true gem for us flute players.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is very easy to reference and filled with simple yet truly effective exercises that help us feel how our body responds according to the dynamics and register we wish to produce.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I particularly appreciated is the clarity with which everything is explained: one feels guided step by step. And for those who want to delve even deeper, there is even a second volume with additional exercises.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHonestly, I highly recommend it to anyone looking to master their breathing and enhance their playing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMichel Bellavance\u003cbr\u003eFlute Professor at the Geneva Conservatory (Haute École de Musique) in Switzerland.\u003c\/p\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"d30c8756-2670-45c4-a4fc-d20635b6c0c6\" data-is-intersecting=\"true\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"d30c8756-2670-45c4-a4fc-d20635b6c0c6\" data-turn-id-container=\"d30c8756-2670-45c4-a4fc-d20635b6c0c6\" data-testid=\"conversation-turn-3\" data-scroll-anchor=\"false\" data-turn=\"user\"\u003e\u003c\/section\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003ch4\u003eContents Vol. 1\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-6a06face-e3a4-838b-aaf9-fce4555115c8-0\" data-is-intersecting=\"true\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a06face-e3a4-838b-aaf9-fce4555115c8-0\" data-turn-id-container=\"request-6a06face-e3a4-838b-aaf9-fce4555115c8-0\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"af3c8529-c484-4b63-b84c-6039285b1953\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cul data-start=\"0\" data-end=\"327\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-section-id=\"1u07kpa\" data-start=\"0\" data-end=\"11\"\u003ePreface\u003c\/li\u003e\n\u003cli data-section-id=\"3b6z9v\" data-start=\"12\" data-end=\"27\"\u003eTerminology\u003c\/li\u003e\n\u003cli data-section-id=\"le254u\" data-start=\"28\" data-end=\"54\"\u003eThe Sound of the Night\u003c\/li\u003e\n\u003cli data-section-id=\"cgsygw\" data-start=\"55\" data-end=\"68\"\u003eBreathing\u003c\/li\u003e\n\u003cli data-section-id=\"bgngfc\" data-start=\"69\" data-end=\"87\"\u003eA Natural Tone\u003c\/li\u003e\n\u003cli data-section-id=\"12xtnq5\" data-start=\"88\" data-end=\"109\"\u003eResonance of Tone\u003c\/li\u003e\n\u003cli data-section-id=\"dpliop\" data-start=\"110\" data-end=\"126\"\u003eGoing Higher\u003c\/li\u003e\n\u003cli data-section-id=\"1lu5tuo\" data-start=\"127\" data-end=\"158\"\u003eThe Magic Between the Notes\u003c\/li\u003e\n\u003cli data-section-id=\"pd9jui\" data-start=\"159\" data-end=\"207\"\u003eThe Flute’s Response and Increasing Dynamics\u003c\/li\u003e\n\u003cli data-section-id=\"qd5mch\" data-start=\"208\" data-end=\"246\"\u003eThe Octave, Queen of the Intervals\u003c\/li\u003e\n\u003cli data-section-id=\"12vd9m4\" data-start=\"247\" data-end=\"271\"\u003eFor a Supported Tone\u003c\/li\u003e\n\u003cli data-section-id=\"9y027i\" data-start=\"272\" data-end=\"291\"\u003eFor Flexibility\u003c\/li\u003e\n\u003cli data-section-id=\"1qw4urd\" data-start=\"292\" data-end=\"312\"\u003eAcknowledgements\u003c\/li\u003e\n\u003cli data-section-id=\"1ffneri\" data-start=\"313\" data-end=\"327\" data-is-last-node=\"\"\u003eBibliography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e Contents Vol. 2\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli data-section-id=\"1ihs3ie\" data-start=\"0\" data-end=\"13\"\u003eRaindrops\u003c\/li\u003e\n\u003cli data-section-id=\"1vaxmpz\" data-start=\"14\" data-end=\"42\"\u003eFor Lip Aperture and Air\u003c\/li\u003e\n\u003cli data-section-id=\"1hnni6f\" data-start=\"43\" data-end=\"61\"\u003eFor a Grey Day\u003c\/li\u003e\n\u003cli data-section-id=\"15x4te6\" data-start=\"62\" data-end=\"75\"\u003ePeer Gynt\u003c\/li\u003e\n\u003cli data-section-id=\"1qd4bvg\" data-start=\"76\" data-end=\"102\"\u003eFor Direction of Sound\u003c\/li\u003e\n\u003cli data-section-id=\"fdosam\" data-start=\"103\" data-end=\"132\"\u003eThe Sound of the Night II\u003c\/li\u003e\n\u003cli data-section-id=\"abwn5j\" data-start=\"133\" data-end=\"163\"\u003eThe Sound of the Night III\u003c\/li\u003e\n\u003cli data-section-id=\"k2a3gt\" data-start=\"164\" data-end=\"176\"\u003eSoftness\u003c\/li\u003e\n\u003cli data-section-id=\"1m9i0ss\" data-start=\"177\" data-end=\"207\"\u003eJesus bleibet meine Freude\u003c\/li\u003e\n\u003cli data-section-id=\"n6hb0q\" data-start=\"208\" data-end=\"223\"\u003eFor Octaves\u003c\/li\u003e\n\u003cli data-section-id=\"xgeqcc\" data-start=\"224\" data-end=\"233\"\u003eBells\u003c\/li\u003e\n\u003cli data-section-id=\"11y3eme\" data-start=\"234\" data-end=\"247\"\u003eFantasque\u003c\/li\u003e\n\u003cli data-section-id=\"x7bt0m\" data-start=\"248\" data-end=\"267\"\u003eLight and Shade\u003c\/li\u003e\n\u003cli data-section-id=\"fr57yh\" data-start=\"268\" data-end=\"278\"\u003eMemory\u003c\/li\u003e\n\u003cli data-section-id=\"1tzvk3\" data-start=\"279\" data-end=\"292\"\u003ePromenade\u003c\/li\u003e\n\u003cli data-section-id=\"r8w0bu\" data-start=\"293\" data-end=\"313\"\u003eSpring Arpeggios\u003c\/li\u003e\n\u003cli data-section-id=\"1fo60if\" data-start=\"314\" data-end=\"348\"\u003eVocalise on Gounod’s Ave Maria\u003c\/li\u003e\n\u003cli data-section-id=\"1mw2xp6\" data-start=\"349\" data-end=\"357\"\u003eHope\u003c\/li\u003e\n\u003cli data-section-id=\"1s20chk\" data-start=\"358\" data-end=\"372\"\u003eLandscapes\u003c\/li\u003e\n\u003cli data-section-id=\"bo9cz7\" data-start=\"373\" data-end=\"386\" data-is-last-node=\"\"\u003eValse Lente\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003eAbout Gaspar Hoyos\u003c\/h4\u003e\n\u003cp\u003eGaspar Hoyos has been praised by conductors, colleagues and critics alike as one of the most exciting and interesting flutist of his generation. Recipient of many prestigious awards including international competitions (Jean-Pierre Rampal (1998), Markneukirchen (Germany, 1998) and NFA Young Artist Competition (USA, 1995)), he has performed to critical acclaim throughout South America, North America, Europe and the Far East. Currently Solo Flute of the Orchestre de l’Opéra National de Lorraine, Gaspar currently divides his attention between concerto appearances, solo recitals, chamber music projects and collaborating with the New Music Ensemble Ultim’asonata in visual and performing arts in multicultural projects. Gaspar Hoyos studied in Boston with Paula Robison, and in Paris with Raymond Guiot. He was the last flutist to have had the chance to take lessons with the late Jean-Pierre Rampal at his home, on Avenue Mozart, in Paris.\u003c\/p\u003e","brand":"All Flutes Plus","offers":[{"title":"Vol. 1","offer_id":59668412825934,"sku":"TTYS815256","price":19.5,"currency_code":"GBP","in_stock":true},{"title":"Vol. 2","offer_id":59668412858702,"sku":"TTYS815257","price":19.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0885\/5335\/7646\/files\/JoB_VOL_1_English_cover.jpg?v=1778844221","url":"https:\/\/www.allflutesplus.com\/products\/hoyos-the-joy-of-breathing-for-flute","provider":"All Flutes Plus","version":"1.0","type":"link"}