{"product_id":"hoyos-the-happy-flute-a-workbook-on-harmonics","title":"Hoyos- The Happy Flute: A Workbook on Harmonics","description":"\u003ch2\u003eHoyos- The Happy Flute: A Workbook on Harmonics\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eComposer: Gaspar Hoyos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFlute score\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Tetractys Publishing\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eAbout\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003e\"I am thrilled to recommend Gaspar Hoyos’s remarkable book, The Happy Flute. This comprehensive guide on practicing harmonics is an invaluable resource for flute players of all ages and stages of their professional development. With detailed chapters dedicated to various flute players, including my beloved teacher William Bennett, and numerous exercises tailored for daily practice, this book is a treasure trove of knowledge and technique. “The Happy Flute” is a wonderful addition to any flutist’s daily practice, and I highly recommend it for anyone looking to deepen their understanding and mastery of harmonics on the flute. It is now in my warm-up folder on my iPad, and I really enjoy practising it. I am sure you will find it both beneficial and fun.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDenis Bouriakov\u003c\/p\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-6a06face-e3a4-838b-aaf9-fce4555115c8-0\" data-is-intersecting=\"true\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a06face-e3a4-838b-aaf9-fce4555115c8-0\" data-turn-id-container=\"request-6a06face-e3a4-838b-aaf9-fce4555115c8-0\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"af3c8529-c484-4b63-b84c-6039285b1953\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli data-section-id=\"19ezcso\" data-start=\"0\" data-end=\"16\"\u003eIntroduction\u003c\/li\u003e\n\u003cli data-section-id=\"1uglgms\" data-start=\"17\" data-end=\"25\"\u003eDawn\u003c\/li\u003e\n\u003cli data-section-id=\"1igkt69\" data-start=\"26\" data-end=\"67\"\u003eThe First Harmonic: the Happy Flute ☺\u003c\/li\u003e\n\u003cli data-section-id=\"ddensm\" data-start=\"68\" data-end=\"90\"\u003eThe First Harmonic\u003c\/li\u003e\n\u003cli data-section-id=\"1f8fnk4\" data-start=\"91\" data-end=\"147\"\u003eComparing the First Harmonic With the Real Fingering\u003c\/li\u003e\n\u003cli data-section-id=\"1cgd3k5\" data-start=\"148\" data-end=\"206\"\u003eThe Second Harmonic: the 5th above the Octave (a 12th)\u003c\/li\u003e\n\u003cli data-section-id=\"1809lto\" data-start=\"207\" data-end=\"230\"\u003eThe Second Harmonic\u003c\/li\u003e\n\u003cli data-section-id=\"fqy15a\" data-start=\"231\" data-end=\"288\"\u003eComparing the Second Harmonic With the Real Fingering\u003c\/li\u003e\n\u003cli data-section-id=\"1py2oqb\" data-start=\"289\" data-end=\"330\"\u003eThe Third Harmonic: the Double Octave\u003c\/li\u003e\n\u003cli data-section-id=\"1sapljo\" data-start=\"331\" data-end=\"352\"\u003eFlowing Harmonics\u003c\/li\u003e\n\u003cli data-section-id=\"n95ly0\" data-start=\"353\" data-end=\"387\"\u003eRemembering Jean-Pierre Rampal\u003c\/li\u003e\n\u003cli data-section-id=\"r5mhue\" data-start=\"388\" data-end=\"419\"\u003eRemembering William Bennett\u003c\/li\u003e\n\u003cli data-section-id=\"t9vnf\" data-start=\"420\" data-end=\"470\"\u003eSmoothing out the Connection Between Registers\u003c\/li\u003e\n\u003cli data-section-id=\"mgx2n0\" data-start=\"471\" data-end=\"487\"\u003eDynamic Work\u003c\/li\u003e\n\u003cli data-section-id=\"1rlkk28\" data-start=\"488\" data-end=\"523\"\u003eFor playing Softly and Smoothly\u003c\/li\u003e\n\u003cli data-section-id=\"1nwi3na\" data-start=\"524\" data-end=\"552\"\u003eRemembering Marcel Moyse\u003c\/li\u003e\n\u003cli data-section-id=\"13qyb4k\" data-start=\"553\" data-end=\"580\" data-is-last-node=\"\"\u003eRemembering Paul Taffanel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003eAbout Gaspar Hoyos\u003c\/h4\u003e\n\u003cp\u003eGaspar Hoyos has been praised by conductors, colleagues and critics alike as one of the most exciting and interesting flutist of his generation. Recipient of many prestigious awards including international competitions (Jean-Pierre Rampal (1998), Markneukirchen (Germany, 1998) and NFA Young Artist Competition (USA, 1995)), he has performed to critical acclaim throughout South America, North America, Europe and the Far East. Currently Solo Flute of the Orchestre de l’Opéra National de Lorraine, Gaspar currently divides his attention between concerto appearances, solo recitals, chamber music projects and collaborating with the New Music Ensemble Ultim’asonata in visual and performing arts in multicultural projects. Gaspar Hoyos studied in Boston with Paula Robison, and in Paris with Raymond Guiot. He was the last flutist to have had the chance to take lessons with the late Jean-Pierre Rampal at his home, on Avenue Mozart, in Paris.\u003c\/p\u003e","brand":"All Flutes Plus","offers":[{"title":"Default Title","offer_id":59668415643982,"sku":"TTYS81525\/4","price":18.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0885\/5335\/7646\/files\/Happy_Flute_cover.jpg?v=1778844668","url":"https:\/\/www.allflutesplus.com\/products\/hoyos-the-happy-flute-a-workbook-on-harmonics","provider":"All Flutes Plus","version":"1.0","type":"link"}