{"product_id":"dufeutrelle-the-flute-way-rue-traversiere-book-3-a-fun-and-innovative-approach-to-taffanel-and-gauberts-daily-exercises","title":"Dufeutrelle- The Flute Way (Rue Traversière) Book 3:  A fun and innovative approach to Taffanel and Gaubert's Daily Exercises","description":"\u003ch2\u003eDufeutrelle- The Flute Way (Rue Traversière) Book 3:  A fun and innovative approach to Taffanel and Gaubert's Daily Exercises\u003c\/h2\u003e\n\u003cp\u003eComposer: Sophie Dufeutrelle\u003cbr\u003eFlute score\u003cbr\u003ePublisher: Alphonse Leduc\u003c\/p\u003e\n\u003ch4\u003eAbout\u003c\/h4\u003e\n\u003cp\u003eThis is Dufetrelle’s 3rd book in the series ‘Rue Traversiere’. She describes this book as an updated version of the 17 daily exercises by Paul Taffanel and Philippe Gaubert, adapted to the 21st Century flautist. Sophie brings an engaging and innovative approach to these renowned flute exercises. Preface by Juliette Hurel, Jasmine Choi, Pamela Stahel, Emmanuel Pahud \u0026amp; Greg Pattillo.\u003c\/p\u003e\n\u003cp\u003eAimed at flautists from the 3rd year of study up to professional level, the book focuses on sound, intonation, breath, phrasing, rhythm and tonguing.\u003c\/p\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli data-section-id=\"1fyd7t7\" data-start=\"0\" data-end=\"57\"\u003eForeword, Prefaces, How to use this book\u003c\/li\u003e\n\u003cli data-section-id=\"1fyd7t7\" data-start=\"0\" data-end=\"57\"\u003eCHAPTER 1: Sound, Homogeneity, Rhythmic Breathing and Embouchure Flexibility\u003cbr\u003e\n\u003cul data-start=\"151\" data-end=\"308\"\u003e\n\u003cli data-section-id=\"1obtno2\" data-start=\"151\" data-end=\"203\"\u003ePerfecting your sound in EJ 4, 10, 11, 12 and 13\u003c\/li\u003e\n\u003cli data-section-id=\"6prpcs\" data-start=\"206\" data-end=\"242\"\u003eHomogeneity across the registers\u003c\/li\u003e\n\u003cli data-section-id=\"yplpcf\" data-start=\"245\" data-end=\"308\"\u003eEmbouchure flexibility in minor, major and chromatic scales\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"obqtes\" data-start=\"310\" data-end=\"620\"\u003eCHAPTER 2: Major and Minor Scales EJ 4\u003cbr\u003e\n\u003cul data-start=\"365\" data-end=\"620\"\u003e\n\u003cli data-section-id=\"ttvus\" data-start=\"365\" data-end=\"393\"\u003ePracticing at your level\u003c\/li\u003e\n\u003cli data-section-id=\"1bi97jb\" data-start=\"396\" data-end=\"450\"\u003eTurn your scales into music: the EJ 4 for 3 voices\u003c\/li\u003e\n\u003cli data-section-id=\"1a47n2s\" data-start=\"453\" data-end=\"490\"\u003eArticulation and rhythm sequences\u003c\/li\u003e\n\u003cli data-section-id=\"1fp63tz\" data-start=\"493\" data-end=\"523\"\u003eDouble and triple tonguing\u003c\/li\u003e\n\u003cli data-section-id=\"15i72tt\" data-start=\"526\" data-end=\"548\"\u003eEJ 4 musical texts\u003c\/li\u003e\n\u003cli data-section-id=\"1equhw7\" data-start=\"551\" data-end=\"620\"\u003e150 sequences of articulations and rhythms to apply to all scales\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"wywm1x\" data-start=\"622\" data-end=\"795\"\u003eCHAPTER 3: Chromatic Scales\u003cbr\u003e\n\u003cul data-start=\"667\" data-end=\"795\"\u003e\n\u003cli data-section-id=\"1y27ff6\" data-start=\"667\" data-end=\"675\"\u003eEJ 5\u003c\/li\u003e\n\u003cli data-section-id=\"yh5vrx\" data-start=\"678\" data-end=\"714\"\u003eA close look at the third octave\u003c\/li\u003e\n\u003cli data-section-id=\"13e7jg3\" data-start=\"717\" data-end=\"772\"\u003eChromatic scales across the full range of the flute\u003c\/li\u003e\n\u003cli data-section-id=\"13budgx\" data-start=\"775\" data-end=\"795\"\u003eRapid chromatics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"d5bvqr\" data-start=\"797\" data-end=\"939\"\u003eCHAPTER 4: Scales and Arpeggios by Ear\u003cbr\u003e\n\u003cul data-start=\"852\" data-end=\"939\"\u003e\n\u003cli data-section-id=\"1c32ldu\" data-start=\"852\" data-end=\"889\"\u003eInventing your own scale patterns\u003c\/li\u003e\n\u003cli data-section-id=\"csaufc\" data-start=\"892\" data-end=\"916\"\u003eThree-note arpeggios\u003c\/li\u003e\n\u003cli data-section-id=\"s6ibx0\" data-start=\"919\" data-end=\"939\"\u003eScales in thirds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"186tmt3\" data-start=\"941\" data-end=\"1050\"\u003eCHAPTER 5: Arpeggios EJ 10, EJ 11, EJ 12, EJ 13, EJ 14, EJ 16\u003cbr\u003e\n\u003cul data-start=\"1018\" data-end=\"1050\"\u003e\n\u003cli data-section-id=\"1rv2zdf\" data-start=\"1018\" data-end=\"1050\"\u003eClose-ups and special models\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"myf005\" data-start=\"1052\" data-end=\"1334\"\u003eCHAPTER 6: Groove, Swing and Beatbox-flute\u003cbr\u003e\n\u003cul data-start=\"1111\" data-end=\"1334\"\u003e\n\u003cli data-section-id=\"1dj6gdz\" data-start=\"1111\" data-end=\"1129\"\u003eP, T, K sounds\u003c\/li\u003e\n\u003cli data-section-id=\"1orfp8j\" data-start=\"1132\" data-end=\"1169\"\u003ePlace sounds in the rhythmic cell\u003c\/li\u003e\n\u003cli data-section-id=\"nzlg9v\" data-start=\"1172\" data-end=\"1218\"\u003eFacilitate the flow of sounds in the mouth\u003c\/li\u003e\n\u003cli data-section-id=\"1uc9n48\" data-start=\"1221\" data-end=\"1248\"\u003eGet off to a good start\u003c\/li\u003e\n\u003cli data-section-id=\"dauer5\" data-start=\"1251\" data-end=\"1279\"\u003eBeatbox-flute and melody\u003c\/li\u003e\n\u003cli data-section-id=\"178ranw\" data-start=\"1282\" data-end=\"1308\"\u003eBeatbox-flute and EJ 4\u003c\/li\u003e\n\u003cli data-section-id=\"1nrkade\" data-start=\"1311\" data-end=\"1334\"\u003eFocus on your goals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1elztcc\" data-start=\"1336\" data-end=\"1468\" data-is-last-node=\"\"\u003eCHAPTER 7:  The Daily Exercises Original Texts\u003cbr\u003e\n\u003cul data-start=\"1401\" data-end=\"1468\" data-is-last-node=\"\"\u003e\n\u003cli data-section-id=\"s11f9y\" data-start=\"1401\" data-end=\"1468\" data-is-last-node=\"\"\u003eEJ 1, EJ 2, EJ 7, EJ 10, EJ 11, EJ 12, EJ 13, EJ 14, EJ 15, EJ 16\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eAbout Sophie Dufeutrelle\u003c\/h4\u003e\n\u003cp\u003eSophie Dufeutrelle is a flautist, teacher, and composer with a diverse and original artistic career encompassing pedagogy, concerts, and composition.\u003c\/p\u003e\n\u003cp\u003eSince 1986, Sophie’s flute-focused repertoire has steadily expanded with high-quality and enjoyable compositions. Her works are performed by flautists in France, Switzerland, Austria, Germany, the USA, Canada, Turkey, Norway, and Belgium.\u003c\/p\u003e\n\u003cp\u003eMaxence Larrieu commissioned her to write “L’Ombre du Blanc” for flute and vibraphone in 2007.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Philippe Bernold commissioned “Drôles d’Oiseaux” for 2 flutes, alto and bass flute, piano, harpsichord, and soprano, performed at the “Festival des forêts” in Compiègne.\u003c\/p\u003e\n\u003cp\u003eIn 2014, her concerto “Aurore\/Sunrise” premiered at the La Côte Flute Festival in Switzerland, featuring Mathias Ziegler as soloist, conducted by Philippe Bernold with the Geneva Chamber Orchestra.\u003c\/p\u003e\n\u003cp\u003eSophie Dufeutrelle conducts masterclasses at conservatories and universities, focusing on contemporary repertoire, pedagogy, improvisation, sound painting, and her own compositions.\u003c\/p\u003e\n\u003cp\u003eHer published works include pieces for young flautists, co-authored with Brigitte Le Borgne, with prefaces by Trevor Wye and Philippe Bernold.\u003c\/p\u003e\n\u003cp\u003eSince 1981, Sophie has taught flute at the National School in Villeurbanne, France, and advises teacher training at the Superior Conservatories of Music in Paris and Lyon.\u003c\/p\u003e\n\u003cp\u003eShe is a founding member of ‘PENTAGÔNES,’ a flute sextet, and guest conducts the ‘Orchestre de Flûtes du Rhône’ (OFR\/Rhône Flute Orchestra).\u003c\/p\u003e\n\u003cp\u003eFrom 1986 to 1991, she served as President of the French Flute Association ‘La Traversière’ and studied under Fernand Caratge and Pierre Yves Artaud.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.sophiedufeutrelle.com\/welcome-english\/bio\/\"\u003ehttps:\/\/www.sophiedufeutrelle.com\/welcome-english\/bio\/\u003c\/a\u003e\u003c\/p\u003e","brand":"All Flutes Plus","offers":[{"title":"Default Title","offer_id":59687101595982,"sku":"AL30771","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0885\/5335\/7646\/files\/al30771_0.jpg?v=1779109675","url":"https:\/\/www.allflutesplus.com\/products\/dufeutrelle-the-flute-way-rue-traversiere-book-3-a-fun-and-innovative-approach-to-taffanel-and-gauberts-daily-exercises","provider":"All Flutes Plus","version":"1.0","type":"link"}