{"product_id":"bernold-pronunciation-includes-audio-access","title":"Bernold- Pronunciation (includes Audio Access)","description":"\u003ch2\u003eBernold- Pronunciation (includes Audio Access)\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eComposer: Philippe Bernold\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFlute score and online audio access\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Gérard Billaudot\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eAbout\u003c\/h4\u003e\n\u003cp\u003ePhilippe Bernold’s La Prononciation is a detailed study book for flute focusing on articulation, clarity, and the precise shaping of attacks. Through carefully designed exercises, Bernold explores how different syllables and tongue placements affect sound, response, colour, and musical expression.\u003c\/p\u003e\n\u003cp\u003eThis method is ideal for flautists looking to refine their articulation and develop greater control over the beginning, character, and projection of each note.\u003c\/p\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli data-section-id=\"19ezcso\" data-start=\"0\" data-end=\"16\"\u003eIntroduction\u003c\/li\u003e\n\u003cli data-section-id=\"1i6yj81\" data-start=\"18\" data-end=\"207\"\u003eImprove your single tonguing: practice scales\n\u003cul data-start=\"70\" data-end=\"207\"\u003e\n\u003cli data-section-id=\"jxfdoc\" data-start=\"70\" data-end=\"80\"\u003eLegato\u003c\/li\u003e\n\u003cli data-section-id=\"10ey4tq\" data-start=\"83\" data-end=\"125\"\u003eMajor scales in simple meter – level 1\u003c\/li\u003e\n\u003cli data-section-id=\"1ssjk2q\" data-start=\"128\" data-end=\"170\"\u003eMinor scales in simple meter – level 1\u003c\/li\u003e\n\u003cli data-section-id=\"nf2ghh\" data-start=\"173\" data-end=\"207\"\u003eMajor scales in compound meter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"nplveu\" data-start=\"209\" data-end=\"227\"\u003eFrench détaché\u003c\/li\u003e\n\u003cli data-section-id=\"9plgwz\" data-start=\"229\" data-end=\"263\"\u003eFifty shades of pronunciation!\u003c\/li\u003e\n\u003cli data-section-id=\"1maj8ju\" data-start=\"265\" data-end=\"288\"\u003eAnd now some sport!\u003c\/li\u003e\n\u003cli data-section-id=\"76p5zz\" data-start=\"290\" data-end=\"314\"\u003eOff to a good start!\u003c\/li\u003e\n\u003cli data-section-id=\"z8fjiu\" data-start=\"316\" data-end=\"353\"\u003eTonguing in orchestral repertoire\u003c\/li\u003e\n\u003cli data-section-id=\"k54lpc\" data-start=\"355\" data-end=\"915\" data-is-last-node=\"\"\u003eNotes going a little further…\n\u003cul data-start=\"391\" data-end=\"915\" data-is-last-node=\"\"\u003e\n\u003cli data-section-id=\"12h03sp\" data-start=\"391\" data-end=\"431\"\u003eWhy practise articulation on scales?\u003c\/li\u003e\n\u003cli data-section-id=\"3b3k3g\" data-start=\"434\" data-end=\"460\"\u003eSlurs vs articulations\u003c\/li\u003e\n\u003cli data-section-id=\"16hj8hp\" data-start=\"463\" data-end=\"489\"\u003eThe energy of tonguing\u003c\/li\u003e\n\u003cli data-section-id=\"1uruiaa\" data-start=\"492\" data-end=\"531\"\u003eStrength of the tongue and dynamics\u003c\/li\u003e\n\u003cli data-section-id=\"m687f7\" data-start=\"534\" data-end=\"570\"\u003eMaximum speed of single tonguing\u003c\/li\u003e\n\u003cli data-section-id=\"uiglvg\" data-start=\"573\" data-end=\"614\"\u003eThe French détaché and musical styles\u003c\/li\u003e\n\u003cli data-section-id=\"k4odzb\" data-start=\"617\" data-end=\"663\"\u003eDifferent syllables for different tonguing\u003c\/li\u003e\n\u003cli data-section-id=\"1psvsj\" data-start=\"666\" data-end=\"691\"\u003eSpecial articulations\u003c\/li\u003e\n\u003cli data-section-id=\"1qjk6t3\" data-start=\"694\" data-end=\"740\"\u003eAwareness in breathing when playing scales\u003c\/li\u003e\n\u003cli data-section-id=\"1iwhht0\" data-start=\"743\" data-end=\"785\"\u003eArticulations throughout music history\u003c\/li\u003e\n\u003cli data-section-id=\"kdat6w\" data-start=\"788\" data-end=\"828\"\u003eSome articulations and their meaning\u003c\/li\u003e\n\u003cli data-section-id=\"rpaa8u\" data-start=\"831\" data-end=\"877\"\u003eAdding articulations to 18th century music\u003c\/li\u003e\n\u003cli data-section-id=\"1rtzl2x\" data-start=\"880\" data-end=\"915\" data-is-last-node=\"\"\u003eDétaché: a historical perspective\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eAbout Philippe Bernold\u003c\/h4\u003e\n\u003cp\u003ePhilippe Bernold began his musical studies in Colmar, France, studying the flute and later composition and conducting under René Matter. He then attended the Paris Conservatory, where he earned the First prize in flute. At the age of 23, Bernold became Principal flute of the National Opera Orchestra of Lyon.  In 1987, he won First Prize in the Jean-Pierre Rampal International Competition in Paris.\u003c\/p\u003e\n\u003cp\u003eThis award launched his solo career, performing with renowned artists and orchestras worldwide, including M. Rostropovich, R. Capuçon, G. Opitz, A. Tharaud with the Paris Orchestra, Manchester Halle Orchestra, Tapiola Sinfonietta, National Orchestra of Lyon, Tokyo and Kyoto Symphony Orchestra.\u003c\/p\u003e\n\u003cp\u003ePhilippe Bernold is now a Professor of Chamber Music and flute at the Paris Conservatoire.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.philippebernold.com\/\"\u003ehttps:\/\/www.philippebernold.com\u003c\/a\u003e\u003c\/p\u003e","brand":"All Flutes Plus","offers":[{"title":"Default Title","offer_id":59696604578126,"sku":"GB10000","price":26.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0885\/5335\/7646\/files\/default_1_20004416-b68c-4c73-8f12-c55bc28b0be7.jpg?v=1779206867","url":"https:\/\/www.allflutesplus.com\/products\/bernold-pronunciation-includes-audio-access","provider":"All Flutes Plus","version":"1.0","type":"link"}